The heart of the legendary dbx 120XP subharmonic synthesizer, with some improvement and add-ons from the BX team. Add sub, punch and saturation to individual signals and busses. The 120XP basically was the.1 in 5.1! For starters, bxsubsynth generates subharmonics in up to three discrete frequency bands versus the 120XP’s two—the addition of a higher bass band for re-synthesis lets you capture.
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The bx_rockrack V3 Player is your ticket to getting stellar guitar tones for absolutely free! By including the same eight immaculate guitar amp simulations as the fully-featured bx_rockrack V3 implemented across 26 professionally designed presets, bx_rockrack V3 Player gives you access to some of the best tones Brainworx has to offer.
The straightforward interface of bx_rockrack V3 Player makes it easy to select between the included presets while seeing which settings are being used. Although this preset only Player version doesn’t allow you to modify those settings, it’s still packed with versatile and useful tones.
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Sample clean tones from Brainworx’s Marshall JCM-800® emulation, or grind out with some metal mayhem from overdriven ENGL preamps. Included in the amp selection from bx_rockrack V3 is an original design by Brainworx, the bx_metal 666, conceived by founder and CEO Dirk Ulrich and Senior DSP Engineer Igor Nembrini.
With bx_rockrack V3 Player you can get tone for days. Stack some distortion pedals before the clean Pedalboard Haven preset for a customized grunge feel, or squeeze your DI signal with a bx_opto Pedal going into the lead ENGL Rock Hard preset. With the free preset Player from bx_rockrack V3, you have a whole slew of sounds straight from the Brainworx guitar lab to use any way you please.
All you need to do in order to sample the awesome amp sim power of bx_rockrack V3 is download and install bx_rockrack Player, then activate with your Plugin Alliance account login information; no dongles, and no serial numbers. You’ll be rocking with Brainworx amp power in no time.
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bx_subsynth is the Holy Grail for Bass Fanatics!
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Integrating a mix of classic and modern processing, this 10-ton beast gives music tracks, cinematic special FX and DJs’ sound systems a bottom end that goes all the way to the Earth’s core!
In developing bx_subsynth, Brainworx initially made a meticulous model of the legendary dbx 120XP Subharmonic Synthesizer’s Waveform Modeling™ engine, which generates discrete bass frequencies one octave below what you feed in to it. They then supersized the 120XP’s feature set to create much tighter, clearer, bigger and resonant bass.
For starters, bx_subsynth generates subharmonics in up to three discrete frequency bands versus the 120XP’s two—the addition of a higher bass band for re-synthesis lets you capture and nosedive the fundamental frequencies of a much wider variety of instruments, including snare drum and acoustic guitar.
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The Tight Punch control creates crystal-clear, body-thumping bass by adding a resonant sub-bass peak and filtering out unwanted lows below its cutoff frequency. Powerful Edge processing lets you select from two modes of operation—Smooth and Harsh—that compress and saturate your tracks, alternately delivering super-compact or explosively trashy drums and throbbing, in-your-face bass guitar.
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Let’s Be Clear
Bass EQ can’t do what bx_subsynth does. The discrete frequencies bx_subsynth generates leave more space across the bass-frequency band for other instruments, letting you jack up subsynth’s bass without muddying your mix. Plus, EQs can’t boost bass in a thin track that doesn’t have any bottom to begin with. bx_subsynth doesn’t just boost—it adds new bottom! And whereas psychoacoustic bass processors trick your brain into hearing phantom subharmonics that don’t actually exist—and which you can’t feel—bx_subsynth adds real sub-bass that will shake your body like an earthquake!
The applications are limitless. Retune your drum tracks: Dial in higher subharmonics for rack toms and lower ones for the floor tom for colossal, pounding drum fills. Boost different subharmonics on a kick drum and bass guitar to separate their sounds in the mix, for increased clarity and punch. Add subterranean thunder to sustained left-hand octaves on piano tracks. Automatically generate a perfectly synchronized bassline from the bottom strings played on an arpeggiated acoustic guitar track; two knob twists are all it takes to focus the bassline’s image dead-center and massively widen the guitar’s stereo image up to 400%.
Remastering engineers can use bx_subsynth to add a fat bottom end to thin vinyl masters and old recordings made on narrow-gauge multitrack tape recorders. Sound designers can pump up weak cinematic FX with terrifying lows. DJs can turbocharge their sound systems’ low end to woofer-shattering extremes. This is bottom end you can feel in your rattling bones.
bx_subsynth. Feel the bass.
Activate the fully functional 14-day demo with your Plugin Alliance account today to hear for yourself (no dongle required)!
Legal Disclaimer: dbx 120XP and Waveform Modeled Synthesis are registered trademarks of Harman International. The bx_subsynth was developed by Brainworx based on its own modeling techniques. dbx, Harman, nor any of their affiliate companies have endorsed or sponsored the bx_subsynth in any manner, nor licensed any intellectual property for use in this product.